Theater now launches musical theater workshop for young writers

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Theater Now New York (TNNY), ​​an artist services organization dedicated to the development, production, publication and broadcast of short and long musicals, will host a musical theater workshop for young writers this fall in New York City public high schools. The after-school program will teach the art and art of musical theater writing to students, who will write and present 10-minute musicals that express the stories and ideas they want to share with the world.

This fall’s pilot program begins in partnership with the Louis D. Brandeis High School campus, a group of four schools on the Upper East Side of Manhattan with a drama program led by arts manager Sean Turner, PhD. Students will learn the basics of storytelling, music composition and lyric writing from members of the Musical Writers Lab at Theater Now. The faculty of the program, led by the Associate Artistic Director of Theater Now Jason aguirre, includes Jonathan Eric Foster, AJ Freeman, Kenny Harmon and Jonathon lynch, each of whom is a professional writer with experience in teaching musical theater. The program will end with a public performance of the 10-minute musicals written by the students.

According to the artistic director of Theater Now Thomas Morrissey, “Our intention is that this program exposes students from diverse backgrounds to musical theater. These students may have a fondness for music, poetry, or dramatic writing, but may not yet realize that theater could be an avenue for their talents and talents. With the training of new writers through a program like this. , new authentic stories are available for the stage. “

Adds the general manager Colleen Harris, “We hope that young writers will feel encouraged to express their voices and tell stories that would otherwise remain hidden and silent. We believe that programs like this can be a catalyst for change, creating theater for everything. the world.”

Theater Now is an artist services organization dedicated to the development, production, publication and broadcast of short and long musicals, providing ongoing support to writers and their work to nurture voices and forms. that push the boundaries of musical theater. The Musical Theater Workshop for Young Writers is supported in part by the Innovation and Exploration Fund, a program of the National Alliance for Musical Theater, with funding from Starhawk Productions and the Capdevilla Gillespie Foundation –

www.namt.org.Theater now launches musical theater workshop for young writers


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These western music graduates want you to try opera

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When you think of opera, most people imagine a majestic theater filled with people dressed in fancy clothes and dramatic musical performances, but a group of music students want to change that and make it a much more accessible experience.

Can of Soup Collective is a non-profit organization founded by three graduate students from Western University who try to create professional opportunities for other young and emerging artists in the city, while making opera more “consumable” for the general public.

“We think London is sort of short of professional opera opportunities,” said Mabel Wonnacott, the group’s creative director and Western master’s student. “We basically have opera happening at the university, but outside of that there just aren’t a lot of opera productions in London.”

“Our goal is to make opera accessible and to create a better relationship between London audiences and classical music, so we are going to offer operas that are not pretentious, but rather relatable.”

Starting at 1 p.m. Saturday, the band will do just that by hosting their Music in the Park event. About ten local musicians will be scattered around the park and will play different genres, from folk to opera. These performances will be followed by a full staging of Aunt Helene at the bandshell.

“Rather than feeling like you have to get dressed and that is something to be prepared for, it will be available to people who walk their dogs, who ride bikes … There will be fewer obstacles. to consumer opera, ”Wonnacott said.

“Aunt Helene is peppered with Canadian folk songs, things I’m sure people will connect with and recognize from their childhood… It’s consumable and relatable, rather than being big and intimidating. “

Being relatively new to the city, Wonnacott said it took her time and research to discover the city’s creative arts.

“I think a lot of the arts are sort of contained in their own bubble and so I think an important and important part of making these things more popular or more common in London is just the visibility. people that this is a very accessible thing. ”

Wonnacott said that at the moment Can of Soup Collective is operating on a voluntary basis, but the hope is to raise funds to create paid opportunities for opera artists.

“I think the music, especially the opera which is this fusion of all art forms – we have the visual aspect, the theatrical aspect, the music, the wonderful libretto – I think it’s a wonderful kind of vessel for us to explore the human condition and there is no better time than now to share that. “

Events to come:

Music in the Park: August 28, 2021. 1 to 5 p.m. at Springbank Park

Music at the Museum: Sept. 18-19 Virtual event

Here is an excerpt from Ellita Gagner from Can of Soup Collective singing What are you doing, Blanche Tourterelle?


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Jamie Barton and Stephanie Blythe Conduct Chicago Opera Theater “Carmen”

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The Chicago Opera Theater is about to open its season with Bizet’s “Carmen”.

The semi-staged production will give audiences a rare opportunity to hear two new world-class dramatic roles of mezzo-sopranos facing each other. Jamie Barton will debut in the title role while Blythely Oratonio, the tenor alter ego of legendary Stéphanie Blythe, will sing his first Don José.

COT’s musical director, Lidiya Yankovskaya, who will conduct the semi-stage concerts, said: “Although Bizet’s melodies are familiar to many opera lovers, it will be a very different perspective from a classical one. opera. It is also a unique opportunity to hear these inimitable artists explore a whole new territory. Jamie Barton is long overdue in her debut as Carmen, and I’m delighted that Stephanie Blythe is joining us in a new role that matches her truly unusual voice like a glove.

The company will present two free community events offered before the opening night. Tuesday August 31, “What The Fach?” will explore the fluidity of vocal types, with a discussion between Stephanie Blythe, Anthony Roth Costanzo and Aiden Feltkamp, ​​who curated the recently released Anthology of New Music: Trans & Nonbinary Voices.

On Thursday, September 9, the public will be invited to the Center on Halsted, the Midwest’s most comprehensive LGBTQ community center, for a close-up with “Carmen.” With Katherine Syer, opera historian, playwright and professor at UCLA, this conversation will focus on the history of cross-dressing in opera.

The production will also star Michael Sumuel, Kimberly E. Jones, Brandon Cedel, Rachel Blaustein, Leah Dexter and Evan Bravos. Joachim Schamberger heads the production

“Carmen” will be performed on September 16-18 and all participants will be required to wear a mask covering both nose and mouth inside the Harris Theater, which will be filled to a maximum of 60% of its capacity. The public will also need to show proof of full COVID-19 vaccination.


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Live musical theater is back, baby!

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Live musical theater is back, baby!

Mom Mia! – musical theater works

A multi-talented actor, singer and member of the Faculty of Musical Theater at Columbia College, Justin Brill has directed a faithful new production of the 1999 hit musical, a show that has become a cult classic for baby boomers. over twenty years ago. This is one of the original jukebox musicals from Broadway. Taking nearly two dozen hit songs from the ABBA songbook, this Musical Theater Works production is one of the first live stage performances since the pandemic. In her joy and optimism, “Mamma Mia! Almost makes the Chicagoland audience forget the nearly two-year long theatrical hiatus. But finally, we finally have the opportunity to revel in professional live music production once again. Decked out in shiny spandex, wedge heels and lots of sequins and sequins, this production is a feast for the eyes and ears.

For the few theatergoers unfamiliar with the show, the slim plot revolves around Sophie, a young bride-to-be, who wants to know her father’s identity so he can give it away at his next wedding. Sophie found her mother’s old diary, and after reading Donna’s romantic exploits as a rebellious young woman, narrowed the search down to three possible men. Secretly, Sophie invited each of her three future dads to the small Greek island, where she and her mother live. The rest of the shaky tale, which is just a clever gadget to weave some of ABBA’s biggest hits into a story, revolves around the mystery of who the real father is. However, to be fair, audiences don’t flock to this musical for its history, but to relive the glitzy glory of the disco era evoked by ABBA’s memorable music.

Alexis Armstrong, one of Music Theater Works’ favorite talented grandees, and fondly remembered for her performance as Baker’s Wife in their production of “Into the Woods”, is charming in the lead role of Donna Sheridan. Ms. Armstrong has a charming and solidly believable stage presence. Her vocal ability, although at its best in its high range, is enjoyable and meets the challenge of singing many familiar numbers from the series. Like a good mother, trying to orchestrate her daughter’s marriage, she is formidable. Whether it’s singing a rhythmic dance hit or singing one of ABBA’s lush ballads, Alexis Armstrong is natural and effortless in her acting, song and dance. Her touching duet with her daughter, “Slipping Through My Fingers”, as well as her brave performance of “The Winner Takes It All”, are particularly moving, as the actress guides us on her character’s emotional and musical journey.

Teaming up with the incomparably likable and hilarious Veronica Garza, as Rosie, and the alluring Casiena Raether, as the sexy Tanya, these two divas tear up the stage playing Donna’s old friends and former singing partners. . They soar through pop hits like “Money, Money, Money”, “Chiquitita”, “Super Trooper”, “Waterloo”, the contagious “Dancing Queen” and, of course, the title track, “Mamma Mia” . Ms. Garza goes all out with her suggestive and hysterical “Take a Chance on Me”, sung with the very funny Dan Gold, as Bill. Mrs Raether warms the stage with young Oliver Schilling, as Pepper, performing a sultry “Does Your Mother Know?” The three ladies get the audience to stand up, heads hopping, hands clapping, and bodies swaying, in every song they sing.

This production has a lovely young actress in the young Heather Banks, as Sophie Sheridan, Donna’s 20-year-old daughter. Seen at Music Theater Works in “Anything Goes”, Sophie is about to marry her handsome young boyfriend, Sky, played with charisma and chivalry by Ahmad Simmons. Ms. Banks brings an honest sincerity and freshness to the role that really makes us care about her. Hopefully we will see a lot more of this Millikin University theater student in the future.

She is joined by an incredibly talented and diverse song and dance ensemble that never holds back an iota, especially as they perform the vivacious, wacky and wonderfully creative choreography of Shanna Vanderwerker. As Sophie’s three future fathers, the aforementioned triple threat Dan Gold returns to Music Theater Works, as Australian adventurer Bill Austin. Two handsome newcomers to Music Theater Works, the sweet North Rory Homewood, as the goofy and lovable Briton, Harry; and dashing Andrew Fortman, as determined American Sam, all provide solid foils for the three women. Each actor has the opportunity to showcase their vocal and acting talents throughout the play.

Stage designer Kristen Martino did a great job putting the sun and the bright blue Mediterranean sky on stage. She surrounded the cast in a primitive multi-level Greek taverna that easily transforms into several other locations. Andrew Meyers’ bright lighting design mixes bright sunshine with floral-colored lighting scallops and dramatic lighting. This multi-talented Chicago Renaissance Man, the incomparable Rueben D. Echoles, has designed a colorful, festive summer wardrobe for his company that pays homage to the glitz of the disco era.

Reliving fond memories of the 1970s and 80s in mirror ball, while bringing audiences over two dozen contagious ABBA hits, Justin Brill has created a fresh and vibrant take on a musical whose strength lies in its bouncy jukebox score. Linda Madonia expertly guides her cast through the catchy pop tunes, beautifully accompanied by her spirited nine-member pits group. With hits like “The Name of the Game”, “Under Attack”, “SOS”, “Knowing Me, Knowing You” and the obsessive “I Have a Dream” opening and closing the show, it is guaranteed that the audience leave the North Shore Center for the Performing Arts saying, “Thanks for the music.” Live musical theater is finally back, baby!

advised

Commented by Colin Douglas

Performed August 19-29 by Music Theater Works in their new home, the North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie, IL.

Tickets are available by calling the box office at 847.673.6300 or by going to www.MusicTheaterWorks.com/Mamma-Mia.

Additional information on this and other productions from the region can be found by visiting www.theatreinchicago.com.


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‘Annette’ – The strangely satisfying opera you can watch from your couch

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August 22, 2021 – 8:37 PM

'Annette' - The strangely satisfying opera you can watch from your couch

Annette looks a lot like opera. It’s quite long, the story can be confusing at times and there is a LOT of chanting. The majority of the film is sung, not spoken. Like opera, most viewers might be put off by these aspects of the film. However, if the viewer can look beyond unconventional creative choices, a tragic and deeply emotional story can be found in what is, essentially, an opera in the form of a film.

Annette is a romantic drama that follows Henry McHenry (Adam Driver), an irreverent comedian, and Ann (Marion Cotillard), a famous opera singer. The film revolves around the relationship between Henry, Ann and the family they create with the birth of their baby girl, Annette (Devyn McDowell). Annette lack of a traditional story structure that works to its advantage and to its detriment. The lack of a conventional plot may put some viewers off, but it also helps audiences focus on the emotions displayed.

There isn’t much of a major conflict for the first half of the movie. The first half focuses primarily on how much Henry loves Ann and how Ann’s love for Henry seems illogical to the average viewer. It’s a smooth first half that displays real love, but also little real direction. The second half of the film dramatically increases the conflict. It feels like there is a direction with the display of strong emotions. If the first half is the joyous life and eternal bliss of Henry’s perfect life, then the second half is the tragic and depressing road it takes after Henry’s actions.

Contrary to what most movies should be told, the story isn’t what matters Annette. What really does Annette shining is the performance of each. As in a play, a musical or an opera, it is the actors who stand out and leave the audience in awe. As mentioned before, the whole movie is sung. Annette is almost exclusively a musical with the exception of a few spoken dialogue. There are times in the movie when large crowds of people sing together, and it’s really amazing. Large choirs sing in response to what the main characters are doing throughout the film.

Said performance is shown in a manner very reminiscent of a scene. Most of the scenes are shot in such a way that the viewer focuses more on the actors than on the environment, and the environments presented appear closed and almost artificial. There is rarely a scene where a character does not occupy the majority of the shot. It helps the audience focus on the characters, their struggles, and their reactions to those struggles. It also makes the film feel like more of a play by removing the distraction of elaborate sets or the use of heavy CGIs. While not everyone will like this choice, the film definitely gives the impression of being in a theater watching a play.

Like any good musical, the main characters steal the show. Two characters in particular narrowly outperform the rest of the cast. The first is The Accompanist (Simon Helberg), Ann’s unnamed accompanist in his opera. Most viewers will recognize Helberg as Howard Wolowitz from The Big Bang Theory. While this is a drastic change, Helberg makes a graceful transition from a goofy sitcom actor to a wonderful dramatic singer. Admittedly, Helberg’s voice is a bit difficult to disconnect from his The Big Bang Theory character, but the performance he gives is so good that the viewer will forget the wacky old Howard Wolowitz for the duration of the film.

Helberg’s performance is incredible, but Driver’s performance is simply phenomenal. Much like The Accompanist, Henry will also be widely recognized by fans watching. Annette. Henry is played by none other than Adam Driver. Most will recognize Driver for his performance as Kylo Ren in the Star wars sequel trilogy, but his performance in other films such as BlackKkKlansman, Lucky logan, and Annette, prevent it from being labeled as the capricious antagonist of the Star wars sequel trilogy. The driver’s performance is spectacular. This particular viewer was very captivated by his character and the range that Driver was able to achieve with Henrey McHenry. Driver makes audiences love and hate the tragic character of Henry with ease. Driver performance is the highlight of Annette and that’s the only reason you have to watch Annette. Who knew Adam Driver could sing?

Rating: 4/5

Annette is not for everyone. It takes about thirty minutes to realize that everyone in the movie is singing for the entire movie, unlike traditional musicals. However, if the viewer chooses to stay after this achievement, they will be in for a tragic modern day opera that is enjoyable to watch and listen to. Once you accept this Annette more like a Shakespearean tragedy than a modern Hollywood movie, so the experience should be very powerful.


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SF Opera makes a big comeback with ‘Tosca’ to delight vaccinated crowd

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San Francisco Opera Music Director Eun Sun Kim rehearses for Puccini’s “Tosca”. Photo: Photo: Kristen Loken / San Francisco Opera

The applause began long before a note from Puccini’s romantic tragedy “Tosca” was played or sung on the long-awaited opening night of the San Francisco Opera’s 99th season on Saturday, August 21. A fully vaccinated crowd of 2,253 (74% capacity) cheered when the lights at War Memorial Opera House went out shortly after 7:30 p.m.

General manager Matthew Shilvock received a loud reception when he took the stage to make some remarks.

“We have all been looking forward to this moment,” he said. “Tonight, the collective power of opera returns: orchestra, choir, soloists, team, staff, board and you, the audience, united in this glorious and shared expression of humanity. “

There were more huzzahs for it and for his observation, about pandemic performance, that the opening was taking place in “one of the safest cities in the country.”

Shilvock greeted the approximately 500 healthcare workers in attendance who were offered tickets at $ 10 each.

Obviously, the audience was in the mood to celebrate. Beginners and committed opera enthusiasts alike felt palpable pleasure in the resumption of the large-scale live musical drama. It came after a 20-month hiatus – the last pre-COVID performance of the San Francisco Opera at the Opera House was the closing night of “Hansel and Gretel” in December 2019. (The company produced a drive- in “Barber of Seville” this summer at the Marine Center in San Rafael.)

“The beauty of San Francisco is the celebration of music, art, food, community and diversity,” said Jackie Smith of Oakley, who was settling into her 45-minute Dress Circle seat before the curtain. “It’s like coming home.”

What to expect for SF Opera’s fall 2021 season

SF Opera House renovation completed in time for ‘Tosca’ opening night

Musical Director Eun Sun Kim rehearses for Puccini’s “Tosca”. Photo: Photo: Kristen Loken / San Francisco Opera

Indeed, the crowd, though masked, looked almost normal as patrons took group photos and selfies in the arched, golden lobby. They filled the restaurants of the Opera for the pre-show dinners. They lined up in bars for sparkling wine and other libations.

Maged Salib and Bassam Kassab, both from San José, were all smiles as they joked about seeing “Tosca” “for the hundredth time”. Salib added: “We are more than excited.”

Micah Archer had bought a top hat for the occasion, while Emily Archer sported puffy faux fur. The couple, who left Massachusetts for San Francisco in January, were attending their first opera. “We wanted to deck ourselves out for that,” Archer said.

While there were a few adornments to be seen – long dresses and off the shoulders, a silver lamé jacket, a few tuxedos – this was, under restrictive circumstances, no gala opening. There were no fancy gift dinners or luxury flower shows. Members of the public showed their vaccination cards to ushers and volunteers outside, received a sticker to show they had been approved for entry, and then entered to have their electronic tickets scanned. Aside from a few long lines on the Grove Street side, the process went smoothly.

During a conversation in his office, Shilvock said he was keen to put audiences back at ease with live performances. A more festive atmosphere is planned for the concert “Live and in Concert: The Homecoming” scheduled for September 10th. The performances will be broadcast simultaneously and free of charge at Oracle Park.

Ailyn Pérez as Tosca and Michael Fabiano as Cavaradossi during a dress rehearsal of Puccini’s “Tosca”. Photo: Photo: Cory Weaver / San Francisco Opera House

Principal violin Kay Stern was warming up at home three hours before the curtain. Both “nervous and excited and humiliated to come back,” she told The Chronicle over the phone, “I also think it will be nice to play for people other than my cat. “

Estate mistress Lori Harrison relished the backstage tradition of opening night’s ice cream thematically dubbed (the strawberry was “Strawpia,” in honor of villainous “Tosca” Scarpia). “It’s like waking up from hibernation,” she said.

In a production first seen here in 2018, “Tosca” made some powerful impressions. New Music Director Eun Sun Kim took control of the score and led a performance of startling intensity, subtle mood swings and piquant details.

Tenor Michael Fabiano, as the idealistic painter Cavaradossi, unleashed a powerful air praising female beauty. Soprano Ailyn Pérez, voice and allure, was its very embodiment in the title role. The San Francisco Opera Choir shone in the finale of Act 1 against the imposing setting of the church.

Alfred Walker as Scarpia in a dress rehearsal of Puccini’s “Tosca”. Photo: Photo: Cory Weaver / San Francisco Opera House

Weaknesses appeared later. Baritone Alfred Walker, more pensive than poisonous like Scarpia, lacked vocal weight and dramatic weight. There was static play under the direction of Shawna Lucey. The third act, despite the breathtaking spectacle of Fabiano “E lucevan le stelle”, seemed somewhat studied.

Pérez, making his debut in the role, was the big story. Resembling a Valentine’s Day in her pinkish-red dress, she was from the start flirtatious and playful coquettish, tickling her painter lover and taking on jealous airs, her voice cheerful and luminous. In her fateful second act encounter with Scarpia, she took on a stature that was both meditative (in a dreamily slow and fascinating “Vissi d’arte”) and fiercely, brutally determined.

Ailyn Pérez in the title role singing “Vissi d’arte” in “Tosca” by Puccini during the dress rehearsal. Photo: Photo: Cory Weaver / San Francisco Opera House

When the ovation fell on his encore, Pérez looked genuinely moved and almost overwhelmed, burying his face in his hands at one point. As the final curtain fell, she ducked down to wave a few final waves at the crowd, as if she couldn’t stand the end of the night.

Puccini’s “Tosca”: San Francisco Opera performances continue at 7:30 p.m. on August 27 and September 3; 2 p.m. August 29 and September 5. $ 26 to $ 398. War Memorial House, 301 Van Ness Avenue, SF 415-864-3330. sfopera.com





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The Cowboys and Gunfighters Opera House on Nomadic Wilderness

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Western films are the vectors of the evolution of civilization and culture in the world of cinema. You must be amazed to see these cinematographic works of the lives of people devastated by war, thinking how horrible their normal life was back then! The functionality is prepared this time by the list of these best western movies which have been famous in different countries of the world. Let’s get to know them.

Top 10 Greatest Western Movies Ever Made in the Film Industry

AnchorThe Good, the Bad and the Ugly | 1966 | Western Italian

IMDb: 8.8 / 10

In the screenplay of Agenore Incrocci, Furio Scarpelli, Luciano Vincenzoni and the direction of Sergio Leone, it is the most influential film of the reign of Western cinema.

The story follows three fortune hunters who end up pointing their guns at the buried gold after the death of its owner.

Popular actor and director Clint Eastwood won the “Audience Award” for “Best Actor” at the Faro Island Film Festival in 1966 for playing in the film. The film won the OFTA Film Hall of Fame award in 2016.

Read Suhana, Shah Rukh Khan’s Daughter, Who Will Make Her Bollywood Debut?

AnchorDjango unleashed | 2012 | American West

IMDb: 8.4 / 10

This groundbreaking film tells the story of a slave who struggles to save his wife with the help of a dentist-bounty hunter from the Mandingo Battles – a brutal game of fight to the death.

The film was made as a tribute to the Italian film Django (1966) by Sergio Corbucci. Famous detective genre filmmaker Quentin Tarantino wrote and directed the film starring Christoph Waltz, Jamie Foxx and Leonardo DiCaprio.

Tarantino and Waltz won the Oscar for Best Original Screenwriter and Best Supporting Actor, respectively.

Read the best travel movies of all time: Call of Irresistible Wanderlust

AnchorSholay | 1975 | West Indian

IMDb: 8.2 / 10

It is the furious and dramatic story of two inmates who accept a former policeman’s proposal to bring the most ruthless bandit back to life.

Ramesh Sippy directed this film in the script by Salim Javed and under the production of his father GP Sippy.

Among the main actors in the film were Amitabh Bachchan, Amjad Khan, Dharmendra and Sanjeev Kumar.

Amjad Khan, Dwarka Divecha and Ram Yadekar respectively won the Bengal Film Journalists Association awards for Best Supporting Actor, Best Cinematography and Best Artistic Direction.

Read The Heroism of Victim Holey Artisan Faraaz is now on the big screen

AnchorThe New Earth | 1972 | West Swedish

IMDb: 8/10

The main idea is taken from two novels by Vilhelm Moberg – The Settlers (1956) and The Last Letter Home (1959). The film portrays the difficult effort of a Swedish immigrant family to start over in America.

Bengt Forslund and the director of this film Jan Troell contributed to the script of the film.

The film stars Liv Ullmann, Max von Sydow and Eddie Axberg.

This dramatic film received the Oscar nomination and won the Golden Globe Award for Best Foreign Language Film.

Read the best environmental movies from afar: Explicit projections of the colossal degradation of nature

AnchorWhite desert sun | 1970 | Russian Westerner

IMDb: 7.8 / 10

This action film is about a Red Army soldier who must guard a guerrilla leader’s harem despite the end of the Russian Civil War.

The film is shown to astronauts for a positive vibe before most space missions.

Valentin Yezhov and Rustam Ibragimbekov wrote the screenplay for the film under the direction of Vladimir Motyl. Anatoly Kuznetsov and Pavel Luspekayev played the main characters in the film.

President Boris Yeltsin awarded this film the State Prize in 1998.

Read the greatest war movies of all time: witness historic wars

Anchora place in the world | 1992 | Argentinian Western

IMDb: 7.8 / 10

This philosophical film portrays a simple life in the Argentine wilderness through debates among idealistic family members. With a political intrigue, this film creates a Western attitude without violence.

Alberto Lecchi, Kathy Saavedra and the director of this film Adolfo Aristarain co-wrote the screenplay for the film. The film stars Federico Luppi, Cecilia Roth and Jose Sacristan.

This film won the Goya Award for Best Foreign Spanish Language Film and the Silver Condor Award in eight categories at the Association of Argentinian Film Critics Awards.

Read The best business films for entrepreneurs: the inspiration to start something new

AnchorAferim! | 2015 | Romanian Westerner

IMDb: 7.6 / 10

An estate owner hires a policeman to capture his slave who has had an affair with his wife.

Based on such a story, Aferim! was directed by Florin Lazarescu and the director of this film Radu Jude.

Teodor Corban, Victor Rebengiuc, Mihaela Sirbu and Alexandru Dabija were in the main actors of this comic film.

The film won the Silver Berlin Bear Award at the Berlin International Film Festival for Best Director and the Tiantian Award at the Beijing International Film Festival for Best Cinematography.

Read the best Olympic films of all time: The greatest films illuminating the realm of the Olympians

AnchorJoe Lemonade | 1964 | Western Czechoslovakian

IMDb: 7.5 / 10

Oldrich Lipsky co-wrote the screenplay for this film with Jiri Brdecka, the film’s director, based on his own play and novel of the same name.

This western parody depicts a funny business rivalry between lemonade and whiskey based on a small town full of rural characters.

The musical comedy film, also titled by Horse Opera, stars Karel Fiala, Rudolf Deyl, Milos Kopecky.

Lipsky won the Silver Seashell Award at the San Sebastian International Film Festival in 1964.

Read the greatest biographical films ever made in history

AnchorThe tracker | 2002 | Western Australia

IMDb: 7.4 / 10

A brilliant native tracker joins in the quest of a group of three white men, including the disciple, the veteran and the fanatic, to capture the murderer of a white woman.

The film, written and directed by Rolf de Heer, ends with an incredible twist with such a story.

Gary Sweet, Damon Gameau and David Gulpilil star in this historic film.

Gulpilil won the Australian Film Institute Award, the Film Critics Circle of Australia Award and the Inside Film Award for Best Actor.

Read The Best Sci-Fi Movies Of All Time: The Catalysts Of The Unlimited Imagination

AnchorThe good, the bad, the strange | 2008 | West South Korean

IMDb: 7.3 / 10

The story of this film centers on the wilderness of Manchuria where three hidden treasure hunters are involved in a conflict with Japanese forces and Chinese dacoits while fighting each other. This movie is actually a remade version of The Good, the Bad, and the Ugly (1966).

The action-comedy film starring Jung Woo-sung, Song Kang-ho and Lee Byung-Hun is written by Kim Min-suk and film director Kim Jee-Woon.

Jee-Woon Kim won the Blue Dragon Award, the Cine21 Movie Award and the Sitges – Catalonian International Film Festival Award as best director.

Read The Best Sports Movies Of All Time: Where Cinephilia Meets Sports Mania

AnchorFinal result

The best western movies of all time about the nomadic life of bounty hunters torn apart by civil war still stuns today’s moviegoers. The combination of the characters’ emotions with the artistic visuals of this era has influenced many films of the 21st century. Suddenly, Western films appear in new forms in front of the new generation of moviegoers.


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Landmark Musical Theater announces 2021-2022 season

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that of San Francisco Iconic musical theater announced the titles for the upcoming 2021-2022 season in person from the company. The 2021-2022 season will feature THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (October 9 – November 7, 2021), ALL TOGETHER NOW from Music Theater International! A GLOBAL EVENT CELEBRATING LOCAL THEATER (12 – 15 November 2021), STEEL PIER (15 January – 19 February 2022), RUTHLES! THE MUSICAL (March 26 – April 30, 2022) and YOU’RE A GOOD MAN, CHARLIE BROWN (May 14 – June 19, 2022). Memberships priced from $ 75 to $ 149 – and individual tickets for THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE priced from $ 20 to $ 50 – will be available starting Sunday, August 15, 2021, and Individual tickets for all subsequent 2021-2022 productions will be available by Wednesday September 15, 2021. All tickets and subscriptions can be purchased at LandmarkMusicals.com.

THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE will perform at the Children’s Creativity Museum Theater (221 4th Street, San Francisco, CA 94103, between Mission and Howard). All other productions for the 2021-22 season will perform at Landmark’s new permanent home, Theater 33 (533 Sutter Street, San Francisco, CA 94012, between Mason and Powell).

“This is an exciting adventure for all of us who work with Landmark and strive to bring interesting, intimate and innovative musical theater to San Francisco since 2015,” said Jon Rosen, Artistic Director of Landmark Musical Theater. “We are emerging from the over 18-month long lockdown caused by the global Covid-19 pandemic and were fortunate to secure a five-year lease on a terrific 99-seat theater, Theater 33, located at 533 Sutter Street , San Francisco, CA 94012, between Mason and Powell. We finally have the security of our own theater, which has allowed us to create a wonderful inaugural season in our new permanent home. Notably, our 2021-2022 season will feature the Bay Area premiere of STEEL QUAI by John kander and Fred ebb (authors of the legendary CABARET and CHICAGO musicals). The original Broadway production of STEEL PIER was nominated for 11 Tony Awards and marked the Broadway debut Kristin chenoweth. “

Rosen indicated that Landmark Musical Theater plans to track all city, state and federal health mandates throughout the season to reduce risk and protect the health of performers and audiences. Currently, members of the public must either provide proof of vaccination or a recent test (within 72 hours) without Covid when attending a performance, and all members of the public must be masked out. indoors, especially when they are seated in their seats, unless they are drinking or eating. “We will monitor all regulations and make sure to follow them closely,” Rosen said. “We will also update our policies as the situation with the virus evolves. “

The 2021-2022 Landmark Musical Theater season includes:

PUTNAM COUNTY 25TH ANNUAL SPELLING BEE

Music and lyrics by Guillaume Finn
Book before Rachel Sheinkin
Conceived by Rebecca Feldman
Directed by Jon Rosen
Choreography by Meredith Fox
Musical and vocal direction by Christophe hewitt

October 9 – November 7, 2021
At the Children’s Creativity Museum Theater (221 4th Street, San Francisco, CA 94103)

Winner of the Tony and Drama Desk Awards for Best Book, THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE has charmed audiences across the country with its effortless wit and humor. Featuring a quick, insanely funny and touching story of Rachel Sheinkin and a truly fresh and vibrant score by Guillaume Finn (Composer of FALSETTOS), this bee is an unforgettable experience. An eclectic group of six mid-pubescent pubescent (all played by adult actors) compete for the spelling championship of a lifetime. While candidly revealing hilarious and touching stories from their family life, the tweens weave their way through a series of (potentially invented) words, hoping to never hear the overwhelming, pout-inducing and silent “ding”. affirmation of the life of the bell which signals a spelling error.

Six spellings come in … one spell comes out victorious! Losers get a hug and a box of juice.

The production will include audience participation, as four members of the audience from each night will be selected to take the stage and participate in the first act of the show!

The Landmark Musical Theater production of THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE will feature two different actors (the Alpha Cast and the Betta Cast) performing in specific performances. For more information on casting details, visit LandmarkMusicals.com.

MTI IS ALL TOGETHER NOW!
A GLOBAL EVENT CELEBRATING LOCAL THEATER

THE GRAND OPENING OF LANDMARK MUSICAL THEATER AT THEATER 33

Directed and Directed by Jon Rosen, LaTonya Watts, Meredith Fox and Richard Ciccarone

Musical and vocal direction by Christophe hewitt

November 12 – 15, 2021

At Theater 33 (533 Sutter Street, San Francisco, CA, 94102)

Music Theater International, one of the largest musical theater licensing agencies in the world, has collaborated with over fifty songwriters and lyricists to put together this most notable review of famous music from some of MTI’s greatest musicals, including RAGTIME, FIDDLER ON THE ROOF, MY FAIR LADY, BEAUTY AND THE BEAST, MARY POPPINS, OLIVER, HAIRSPRAY, and many more.

Landmark Musical Theater is proud to present twelve performances of ALL TOGETHER NOW! in its newly opened theater at 533 Sutter Street, showcasing notable Bay Area talent as well as newcomers, adults and young adults.

With songs from (in alphabetical order):
Lynn ahrens • Kristen Anderson-Lopez • Benny Andersson • Billie Joe armstrong • Howard ashman • Sara Bareilles • Lionel bart • Jerry Bock • Leslie Bricusse • Jason robert brown • Johnny burke • Martin Charnin • Mindi Dickstein • Anthony drewe • Jack feldman • Stephen flaherty • Matthieu Gerrard • Zina Goldrich • Green day • Sheldon harnick • David Hein • Marcy Heisler • Jason howland • Herbert Kretzmer • Jonathan larson • Alan jay lerner • Frank Loesser • Frédéric Loewe • Robert lopez • Alain menken • Tim minchin • Robbie Nevil • Anthony newley • Benj Pasek • Justin paul • Tim Rice • Irene Sankoff • Dick scanlan • Claudea? ‘Michel Schönberg • Stephen schwartz • Marc Shaiman • Richard M. Sherman • Robert B. Sherman • Glenn slater • Stephen Sondheim • Georges stiles • Charles Strouse • Jeanine Tesori • Björn Ulvaeus • Jimmy Van Heusen • Frank Wildhorn • Scott Wittman

STEEL DOCK

Book before David thompson

Music and lyrics by John kander and Fred ebb

Conceived by Scott Ellis, Susan stroman and David thompson

January 15 – February 19, 2022

At Theater 33 (533 Sutter Street, San Francisco, CA, 94102)

“Beautiful songs skillfully intertwined with the plot.” – Daily New York News

CANDIDATE! 1997 Tony Award for Best Musical
CANDIDATE! 1997 Tony Award for Best Musical Book
CANDIDATE! 1997 Tony Award for Best Original Music
CANDIDATE! 1997 Tony Award for Best Direction in a Musical + 7 additional nominations

In the honky-tonk world of marathon dance in Atlantic City in 1933, a captivating assortment of Depression-era souls eager to dance their way to fame and prizes gather on the STEEL PIER . The show is chaired by a fat-tongued emcee Mick Hamilton, who is secretly married to Rita Racine, the champion dancer and singer acclaimed as “Lindy’s Lovebird.” Rita’s usual marathon partner doesn’t show up, so at the last minute, she’s paired up with Bill Kelly, a handsome pilot who is also without a partner. As the hours of dancing whirl around, Rita becomes more and more disillusioned with her accomplice husband and more and more infatuated with the handsome young aviator and a vision of life in a peaceful cabin by the sea. Songs from John kander and Fred ebb, the makers of CHICAGO, CABARET and other Broadway classics perfectly capture the rhythm and drama of the 1930s dance marathon era.

Landmark Musical Theater is thrilled to be able to present the Bay Area premiere of this wonderful (but rarely seen) musical. The 1997 Broadway production closed too soon, but it was successfully revived in several local and regional theaters, including an acclaimed West Coast production at UCLA in 2018. Director Jon Rosen has a long history with this show, having attempted to mount it in San Francisco in 2003 with OpenStage Repertory Theater. Unfortunately, their venue closed abruptly three weeks before the scheduled opening.) Now, 19 years later, he’s thrilled to finally be able to bring this musical to audiences in San Francisco and beyond, something he wanted. have been doing since he first saw the show just before it closed on Broadway.

RUTHLESS! MUSIC

Book and lyrics by Joel paley
Music by Marvin Laird

March 26 – April 30, 2022

At Theater 33 (533 Sutter Street, San Francisco, CA, 94102)

With J. Conrad Franck (a.k.a Katya Smirnoff-Skyy) like Syvlia Sainte-Croix

WINNER! 1992 Drama Desk Award for Outstanding Lyrics
WINNER! 1993 Outer Critics Circle Award for Best Off-Broadway Musical

NOMINATED: Five 1992 Drama Desk Awards, including Outstanding Musical

Eight-year-old Tina Denmark knows she was born to play Pippi Longstocking, and she’ll do anything to win the role in her school’s musical. And “anything” includes the murder of the principal lady! This aggressively outrageous musical success garnered rave reviews during its lengthy Off-Broadway tour.

YOU’RE A GOOD MAN, CHARLIE BROWN

From the comic strip “Peanuts” by Charles M. Schulz

Book, music and lyrics by Clark gesner

Additional dialogue by Michel mayer

Additional music and lyrics by André Lippa

May 14 – June 19, 2022

At Theater 33 (533 Sutter Street, San Francisco, CA, 94102)

WINNER! 1967 Drama Desk Award for Best Director

WINNER! 1967 Drama Desk Award for Best Performer (Bill hinnant as Snoopy)

WINNER! 1967 Outer Critics Circle Award for Best Off-Broadway Musical

WINNER! 1999 Tony Award for Best Actor (Roger bart as Snoopy)

WINNER! 1999 Tony Award for Best Featured Actress (Kristin chenoweth like Sally)

WINNER! 1999 Drama Desk Award for Outstanding Revival of a Musical

Happiness is a great musical theater! With charm, wit and heart, YOU’RE A GOOD MAN, CHARLIE BROWN explores life through the eyes of comic book artist Charles Schulz’s favorite character and his friends from the Peanuts gang. Musical numbers include “My Blanket and Me”, “The Kite”, “The Baseball Game”, “Little Known Facts”, “” Suppertime “and” Happiness “.


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In-person musical theater, acting, improvisation, writing classes, now back at Black Box Studios

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NEW | CHARACTERISTICS | OVERVIEW | EVENTS



originally published: 08/20/2021

(ENGLEWOOD, NJ) – Since 2007, Black Box Studios has offered high-level collaborative theater workshops to performing arts students of all ages, backgrounds and levels of experience in Bergen County and beyond. The upcoming 2021-22 season offers an exciting array of options for children, teens and adults – at Black Box, no interested student has ever been turned down for financial reasons.

At the company’s new headquarters at the Black Box Performing Arts Center at 49 East Palisade Avenue in Englewood, many favorite and new fall classes will begin throughout September and are now open for early bird enrollment at www.blackboxpac.com, such as: Musical theater workshop for children; Actor and musical theater for adolescents; Theater workshop for adults; Drama workshop for teenagers (New!); WWriting workshop ; Actor for cinema (New!) And more.

Professional and active teaching artists – some of whom are true Black Box alumni – work closely with students on creative freedom, skills / techniques, group dynamics, confidence / balance and, finally, a production in most of the courts. Private lessons for all ages, including NY / NJ professionals, are available on request and at competitive rates. Black Box also organizes popular programs as part of the curriculum as well as extracurricular activities at some schools and institutions in the area.

In-person musical theater, acting, improvisation, writing classes, now back at Black Box Studios

The new Black Box PAC features a traditional New York-style 70-seat handicapped-accessible flex theater space on the ground floor, a cabaret / musical space with a grand piano on the second floor . BBPAC is in the same block as Starbucks, Humus Elite, Baumgarts and between PlantShed and Zula Grill, with Playa Bowls and more across the street.

Cutting-edge professional theater, top-notch comedy nights, open mics for comics and other performing artists, new weekend class offerings, and original material development for the American scene is underway – and news on a a number of special post-pandemic events will be available soon. For example, BBPAC – a 501c3 non-profit organization – will be hosting a #SaveOurStages BBS Alum & Friends cabaret on August 31st.

Black Box Performing Arts Center is located at 49 E Palisade Avenue in Englewood, New Jersey. It is a 501c3 tax exempt nonprofit organization. All donations are tax deductible to the fullest extent provided by law.

Advertise with New Jersey Stage for $ 50 to $ 100 per month, click here for more information

For more information, please visit www.blackboxpac.com/bbs-classes, E-mail [email protected], or call (201) 569-2070.

In-person musical theater, acting, improvisation, writing classes, now back at Black Box Studios

PHOTOS COURTESY OF AMY LEBOVICS PHOTOGRAPHY

Advertise with New Jersey Stage for $ 50 to $ 100 per month, click here for more information



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The Institute of American Musical Theater expands this fall

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After only 5 years of activity, IAMT is expanding rapidly. This fall, New York’s most exciting musical theater program will move to its second space in Washington Heights, a 5,000 square foot theater school. This space will be dedicated to the acting technique course, the cinema and television course, as well as the presentation of new musicals from the IAMT New Works series and the IAMT Creators program. Musicals are performed exclusively by IAMT students and graduates. From promising first-time writers, composers, lyricists and choreographers, to Tony Award-winning creative teams. IAMT will present 3-5 new works each semester, which will give IAMT students the opportunity to learn how to create new works of art with the people who created them. As such, students will meet and network with exciting new creatives working in the industry!

Michel minarik, co-founder of IAMT and interim director, said: “We are delighted to build this new space where creators of all types can present their works without the financial hurdles and constraints of trying to install their art in New York. As a Broadway Producer myself, I know the challenges of putting on new works in New York, finding space with financial responsibilities, and making sure all the talent is there at the same time. our students will be talented in presentations, working with these amazing creative teams and building wonderful relationships with New York creatives during their studies and after graduating from the program. “

The IAMT is a 2-year vocational training course with an optional 3rd year. IAMT was founded by André Drost and co-founded by Michel minarik with the specific mission that today’s professionals of today must teach future professionals of tomorrow without the massive financial pressure that many conservatory and college programs impose on their students.

IAMT is located at 3835 Broadway, with its own 8,000 square foot space. IAMT students are already booking Broadway shows, non-Broadway shows, Broadway national tours, other national tours, regional theaters, cruise ships and more …

Some shows that IAMT students have booked recently include: An Office and a Gentleman (nationwide tour), Summer: The Gave summer Musical (national tour), Escape to Margaritaville (national tour), The Music Man (Broadway with Hugh jackman and Sutton foster), Little Shop Of Horrors (except Broadway with Jeremy jordan) and RENT’s 25th anniversary national tour.

IAMT also announced that Ryan emmons and Dee Roscioli joined the teaching team.

The Institute of American Musical Theater expands this fall

Ryan emmons (IAMT: Resident Director) Broadway’s directing credits include Groundhog Day (assistant director), Matilda the Musical (resident director), and Ghost the Musical (SDC Observer). Ryan was the Resident Director of Matilda the Musical’s First Nationwide Tour and Miss Saigon’s US Tour. He is a founding member and co-artistic director of No.11 Productions, with whom he has directed numerous productions over the past 12 years. Ryan has completed projects for Home Made Theater (NY), Kentucky Repertory Theater (KY), NYMF (NYC), The Stella adler Studio of Acting (NY), The University of Utah (UT) and Columbia University (NY). He is also a production consultant for Arts Connection and freelance director at various schools. Ryan holds a BA in Theater from Skidmore College, studied in London and Stratford at the British American Drama Academy, and was Director of the New York State Chapter of the Educational Theater Association (New York Thespians) for 8 years.

The Institute of American Musical Theater expands this fall

Dee Roscioli(FILM / TV faculty) ‘s home base is New York, but she has traveled the world singing and performing. Dee is best known for her record-breaking 7-year run as Elphaba in the Broadway hit Wicked, where she led the Broadway, Chicago, San Francisco and 1st National Touring companies. Most recently, Dee was seen on Broadway in The Cher Show portraying the pop icon herself as both Star and Lady Cher. Dee was deeply honored to star with her “Dear Show” cast members at the 2019 Tony Awards. In 2015, she was a guest in the closing company of the Broadway revival of Fiddler On The Roof as The mischievous Sarah Fruma, which was filmed and archived for the Lincoln Center Performance Library. Dee also had the privilege of creating the role of Emily in John kanderthe most recent Kid Victory musical, where she was directed by the incomparable Liesl Tommy. This production went on to critical acclaim at the prestigious Vineyard theater in New York City and she can also be heard on the cast’s original recording.

In addition to her theater credits, she has appeared as headliner in symphonies around the world. She also created her solo show for the legendary cabaret series Birdland Jazz, 54 Below and Pennsylvania Shakespeare Festival. She also starred in various television series. For updates on Dee, follow her on Instagram and Facebook! @deeroscioli

For more information visit: https://www.iamusicaltheatre.com/ or visit their Instagram: @iamusicaltheatre



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